Second Type Women - Amanda Lear
Home Email Me Search Links Blog


Amanda Lear was probably born Alain Tapp in Saigon (or France?) on 18 November 1939, but it might have been Hong Kong in 1941 or 1945 or even 1948 based on various statements she has made.  She's apparently of mixed parentage, at various times she's claimed to have British, French and Indonesian fathers, and English and Russo-Oriental mothers.  Although usually identified as being 'French', she actually holds a British passport and uses a Scottish surname! 

Alain Tapp became Peki d'Oslo in 1960.

After an education supposedly in Switzerland and England, by 1959 at latest Amanda had moved to France - a tall, gangly and rather Asian looking boy.  Transformed by hormones and  almost certainly plastic surgery to reduce the size of her nose, she first became publicly noticed in 1960 when she started working as an exotic showgirl and stripper known as Peki d'Oslo at the Le Carrousel revue in Paris. 

Some pictures of Peki d'Oslo (later Amanda Lear) during
her Paris days in the early 1960's.

Peki's exotic looks quickly attracted the eye of Salvador Dali and she became his regular companion (despite his marriage in 1934 to Gala) and muse.  She often appeared in public with Dali in the 1960's and early 1970's - later capitalising on this with the book My Life with Dali.  As with much of Amanda's life, the book is very confusing as it claims that she first met Dali in 1965, despite photographic evidence that it was much earlier.

In 1963 Peki had a sex change operation, carried out in Casablanca by Dr Bourou and possibly paid for by Salvador Dali.  Soon after this she changed her first name from Peki to Amanda and moved to London, where she quickly became part of the trendy "Chelsea Girl" set.  She work at night at night at Raymond's Revue Bar, but during the day studied at St Martin’s College of Art where she started to meet musicians such as Marianne Faithfull and Keith Moon.

She bleached her hair blond with great effect and in 1965 she was signed by a model agency.  It wasn't long before she was cat walking for top designers and appearing on magazine covers, but her modelling career started to be hampered by rumours that she was a transsexual. 

(Left) Top photographer Brian Duffy described Amanda as an "incredible model". 
(Right) Amanda doing a photo shoot for
Nova Magazine in the early 1970's.

Amanda desperately needed official documents that said she was 'Female'.  Whilst visiting a Notting Hill pub with her friend April Ashley she encountered a Scottish student who was willing to marry her for £50.  The new Mrs Lear quickly obtained a UK passport based upon her marriage certificate, and then a equally rapid divorce.  Oddly she decided to continue use her ex-husbands surname.

In early 1973 singer Bryan Ferry saw the supposedly 25-year old Amanda (making her pre-teen in her showgirl days!) on stage modelling a collection for fashion designer Ossie Clarke, and invited her to feature as the cover girl for Roxy Music's new album "For Your Pleasure" (right).  Their relationship apparently culminated with a brief engagement for marriage.  Amanda was soon mixing with the likes of the Rolling Stones and Elton John, and in 1974 she met David Bowie and became one of several beautiful transsexual women (Romy Haag was another) featuring large in his love life at that time, indeed they lived together for a year and Bowie is one of her few admitted "lovers".

Supporting Ziggy at the London Marquee, 18-20 October 1973

Amanda became part of David Bowie's stage act, and he helped launch her solo music career.  In 1977 she signed her own record contract and soon became a huge disco star on mainland Europe in her own right.  Her first two Albums, the 1977 I Am A Photograph and the 1978 Sweet Revenge, and the singles released from them, sold in millions around the world.   In one of her hits - the 1979 Fabulous Lover, Love Me - she sings "the surgeon made me so well that you could not tell that I was not somebody else".  The song did not help to douse speculation that she was a transsexual, something which she had been vigorously denying since being asked about this in a 1977 television interview.

Amanda had often been photo'ed or painted nude during her many years as a showgirl and Dali's muse.   She appeared to have no reservations about again showing off her body as part of her attempts to counter claims that she was a transsexual.  The album Sweet Revenge included a topless photo of her (right), and very revealing post cards were sent to the members of her fan club.  She posed nude for several men's magazines, including Playboy in 1978.  Paparrazi photo of Amanda, 1982She also didn't seem too concerned about paparazzi photographers catching her unclothed and publishing the photos (e.g. left).

Whilst the nude photo's certainly proved to her delighted fans that she still had an amazing body whilst [almost certainly] being in her '40's, her denial of being a transsexual woman was not convincing.  A comprehensive photographic trail had emerged going back to her Peki days, and the comments of former close acquaintances implied that she was a transsexual.  Indeed April Ashley (a former colleague of Peki) was explicit about this, whilst quotes comments from the deceased David Bowie and Salvador Dali do not support Amanda's claim.  Indirect and inconclusive evidence such as her masculine sounding voice and lack of children also do not help.  Newly weds Amanda and Alian in 1979

In 1979, Amanda married (right) Frenchman Alain-Phillippe Malagnac.

During '80's and '90's Amanda continued to record and perform her music, although she was unable to repeat the success of her early disco albums.  However she successfully started two new careers - as a painter and as a TV host.

Tragedy struck Amanda in December 2000 when her home in France burnt down, killing her husband and destroying many of her and Dali's paintings.

In February 2007 she refused to be on stage with, or even near, transsexuals at a major gay event in Milan, Italy.  This caused a lot of bad feeling with the crowd and  and the annoyed organisers who suggested that there was an "ambiguity" in her stance, hinting at her past.


PE02072A.gif (2034 bytes) Back to Articles

Please send any comments, feedback or additions to the Webmaster.
Copyright (c) 2007, Annie Richards

Last updated: 21 March, 2007